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Dark Side Of The Ice is Highland’s
version of the excellent stereo audience recording of Pink Floyd’s
final show in Japan in
the spring of 1972.
Previously a low generation
cassette was available circulating under the names Cold Front and
Dark Side Of The Rising Sun, but Highland use the DAT clone of the
master reel to reel that was produced
fifteen years ago and only recently began circulating.
All of the music is loud and clear
and the tape picks up all of the subtlty of the performance giving a
lot of depth.
The only negative is the tape is
missing ”Echoes” and cut in “Brain Damage” omitting the second verse.
The inferior sounding second tape
does have the missing portions and Highland could have improved this
release
by fixing the holes.
It’s a shame particularly because this is the best show from their
first visit to Japan.
There are no instrumental
breakdowns and the audience is very repectful.
Pink Floyd deliver one of the best
early versions of their Dark Side Of The Moon suite.
“On The Run”, although a far cry
from the sythnesized chaos of later versions, sounds very appealing
with Gilmour’s staccato rhythms meshing nicely with Wright’s cocktail
piano.
The tempo for “Time” is a bit
slower than the released version.
“The Great Gig In The Sky” is still
”The Mortality Sequence” with the Ephesians 5 reading and Malcom
Muggeridge’s speech.
“One Of These Days” sounds especially heavy in this recording with
some very loud explosion sounds.
Some collectors have commented that
Sapporo’s “Careful With That Axe Eugene” is one of the very best
ever recorded.
Waters lets out a very blood
thirsty scream that has the audience (and me) on edge.
Highland use great 1972 photo for
the cover and use another on the back with a blue tint
(they seem to
be on a tinting
fad these days with their Floyd releases).
Except for the criticism about completeness, this is a very good
release by the label and well worth having.
And sadly this is the final release
on the Highland label, who are now producing titles as Blue Cafe.
Despite some criticisms, Highland
were the greatest silver label devoted to progressive rock and it is
doubtful any
other label will ever meet and surpass them. |