
PINK FLOYD
Bells From Notredame
LBR 033/2 The Last Bootleg Records
Matrix Disc 1: CD COMPANY ITALY LBR 033/2/A
Matrix Disc 2:
CD COMPANY ITALY LBR 033/2/B
(P) 1994 Made In Italy



Booklet

Comments from
www.pf-roio.de:
This is a digital source with the bulk of the signal in the high
end, it seems, though the bottom end of the signal is well
represented nonetheless.
The stereo effect is nicely preserved and the feeling of "being
there" is captured.
The main drawback to this otherwise very nice recording is the
incessant arhythmic clapping and tuneless singing by the
enthusiastic people near the mics.
All tracks were recordedin their entirety despite a few mic
movements at the predictable points in the show with
accompanying slight drops in recording level.
Luckily, these disturbances are the best kind--few and brief.
What we have here is yet another great '94 tour 2CD set.
Yes, there's some crowd noise, but the performance is certainly
"up there" on the inspiration and improvisation scale, and the
recordingitself is really quite good despite the noise.
Gilmour seems to be in a fine mood (wouldn't you be?) and speaks
French 95% of the time, appearing to speak to the crowd more
than usual and sounding quite comfortable with the foreign
language.
The show ends with a few bars hinting at the Who's "My
Generation"-- It's that kind of night!
All three principal members shine at various points in the
proceedings, and the entire ensemble turns in another phenomenal
night's work.
The band is a well-oiled machine by this point, having been
touring vigorously for 4 months,and the performance shows the
benefit of lots of rehearsal.
Gilmour and his mates are definitely enjoying playing for
European audiences for the first time in several years, and they
reward those assembled with a smooth and tightperformance.
The crowd is justifiably appreciative, and even entertains us a
bit themselves when things are a little quieter--listen for the
beginning of ABITW as an example! However, this gets to be a bit
annoying, though this crowd is certainlynot nearly as intrusive
as the average American audience.
The quiet, introspective fans of the early seventies have sent
their children to view this tour, and the kids make a lot more
noise than their parents did.
Why didn't mom and dad teach them the virtue of quietly
listening to a performance and saving the yelling, clapping,
whistling and other noise for the breaks between songs?
At least we still have the tapes mom and dad helped make so
great! :)
If you are going to be bothered by crowd noise (sometimes quite
close to the mics) that doesn't necessarily overwhelm the music
but is definitely evident, then you may want to look elsewhere.
However, if audience noise doesn't bother you as much, then this
is a fine performance that you will
certainly enjoy.
This isn't necessarily the first '94 set you should get, but
there are certainly worse ones out there
than this.
If you already have a couple or a few '94 CD's and you like the
ones you have, this one would not be a bad choice, since you
know basically what you're going to get.
I collect these more recent shows for the source quality, but I
find I listen to the older shows more frequently because the
performances are not as closely tied to click tracks, light cues
and computer programs.
Sometimes the term "Comfortably Numb" comes a bit too close to
describing these recordings --
but they sure can blow the minds of the naive. "Bells From Notre
Dame" will do the job and look
good doing it.
I thought that the sound quality was very good, albeit a bit
quiet.
The fan noise, I thought, only added the "being there" feeling.
I know that this did not annoy the band as well because during
the next night's show (which I attended) the band took the
liberty to play along with the crowds chanting for about 15 or
20 secs. Overall, good sound quality and stong sense of being in
the crowd. Worth buying, in my opinion.
Great show from
Paris.
Sound quality is excellent.
However, there is a lot of audience clapping on this disk,
especially at the begin and end of the songs. Fortunately, Floyd
plays loud to drown out the crowd. Disk from CD Music Co, same
as Kiss The Stone.
The Who's "My Generation" is actually part of RLH finale (small
portion).
BTW, do we really need that much detail about the cover art?
Nice picture disks.
Anyone translate the French from Gilmour |
| Disc 1: |
Time: |
| |
|
| 1. Shine On
You Crazy Diamond 1-5 |
12:27 |
| 2. Learning
to Fly |
6:10 |
| 3. What do
You Want From Me |
4:20 |
| 4. On the
Turning Away |
7:13 |
| 5. Take it
Back |
6:40 |
| 6. Coming
Back to Life |
6:29 |
| 7. Sorrow
|
10:58 |
| 8. Keep
Talking |
7:31 |
| 9. One of
These Days |
7:39 |
| 10. Astronomy
Domine |
4:27 |
| 11. Breathe
|
3:20 |
| |
|
| Total
Time: |
66:34 |
| |
|
| |
|
| |
|
| Disc 2: |
Time: |
| |
|
| 1. Time &
Breathe Reprise |
6:47 |
| 2. High
Hopes |
7:55 |
| 3. The Great
Gig in the Sky |
5:47 |
| 4. Wish You
Were Here |
5:57 |
| 5. Us and
Them |
6:22 |
| 6. Money |
9:33 |
| 7. Another
Brick in the Wall (Pt.2) |
7:17 |
| 8.
Comfortably Numb |
11:18 |
|
ENCORE |
|
| 9. Hey You |
5:23 |
| 10. Run Like Hell |
9:32 |
| |
|
| Total
Time: |
76:01 |
| |
|
|
Band:
David Gilmour
Nick Mason
Richard Wright
Jon Carin
Sam Brown
Claudia Fontaine
Durga McBroom
Dick Parry
Guy Pratt
Tim Renwick
Gary Wallis |
|

30 July 1994
Live at Chateau de Chantilly,
Chantilly, France

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