SYD BARRETT
THE MADCAPS LAUGHS
EMI CDP 7466072
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| Tracks: | Time: |
| 1. Terrapin | 5:04 |
| 2. No Good Trying | 3:26 |
| 3. Love You | 2:30 |
| 4. No Man's Land | 3:03 |
| 5. Dark Globe | 2:02 |
| 6. Here I Go | 3:11 |
| 7. Octopus | 3:47 |
| 8. Golden Hair | 1:59 |
| 9. Long Gone | 2:50 |
| 10. She Took a Long Cold Look | 1:55 |
| 11. Feel | 2:17 |
| 12. If it's in You | 2:26 |
| 13. Late Night | 3:10 |
| Total Time: | 37:40 |
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Performers: Syd Barrett : Vocals, Producer, Guitar David Gilmour : Producer, Bass, Guitar Roger Waters : Producer, Bass Robert Wyatt : Drums Hugh Hopper : Bass Mike Ratledge : Keyboards Vic Seywell : Horn John Wilson : Drums |
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| Wisely, The Madcap Laughs doesn't even try to sound like a consistent record.
Half the album was recorded by Barrett's former bandmates Roger Waters and Dave Gilmour, and the other half by Harvest Records head Malcolm Jones. Surprisingly, Jones' tracks are song for song much stronger than the more-lauded Floyd entries. The opening "Terrapin" seems to go on three times as long as its five-minute length, creating a hypnotic effect through Barrett's simple, repetitive guitar figure and stream of consciousness lyrics. The much bouncier "Love You" sounds like a sunny little Carnaby Street pop song along the lines of an early Move single, complete with music hall piano, until the listener tries to parse the lyrics and realizes that they make no sense at all. The downright Kinksy"Here I Go" is in the same style, although it's both more lyrically direct and musically freaky, speeding up and slowing down seemingly at random. Like many of the "band" tracks, "Here I Go" is a Barrett solo performance with overdubs by Mike Ratledge, Hugh Hopper, and Robert Wyatt of the Soft Machine; the combination doesn't always particularly work, as the Softs' jazzy, improvisational style is hemmed in by having to follow Barrett's predetermined lead, so on several tracks, like "No Good Trying," they content themselves with simply making weird noises in the background. The solo tracks are what made the album's reputation, though, particularly the horrifying "Dark Globe," a first-person portrait of schizophrenia that's seemingly the most self-aware song this normally whimsical songwriter ever created. |
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